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	<title>Internet Antique Gazette &#187; sailor craftwork</title>
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	<description>Reference information on antiques &#38; fine art topics.</description>
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		<title>Woolies &#8211; Woolwork Picture of Ship</title>
		<link>http://www.internetantiquegazette.com/nautical/2301_woolies_woolwork_picture_of_ship/</link>
		<comments>http://www.internetantiquegazette.com/nautical/2301_woolies_woolwork_picture_of_ship/#comments</comments>
		<pubDate>Fri, 20 May 2011 10:53:03 +0000</pubDate>
		<dc:creator>hcst</dc:creator>
				<category><![CDATA[nautical]]></category>
		<category><![CDATA[sailor craftwork]]></category>
		<category><![CDATA[textiles & clothing]]></category>

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		<description><![CDATA[Woolies <p>A woolwork picture of a ship &#8211; usually a sailing ship &#8211; is affectionately called a woolie. If it depicts anything else &#8211; a house, dog, flower &#8211; it is a woolwork picture. Woolies were the creation of British sailors who got caught up in the embroidery fad that infatuated their wives and daughters in the mid-to late-Victorian era. </p> <p>The woolwork fad (also called Berlin work for the city where it began) [...] <b>Click <a href="http://www.internetantiquegazette.com/nautical/2301_woolies_woolwork_picture_of_ship/">here</a> to continue reading.</b>]]></description>
			<content:encoded><![CDATA[<h2>Woolies</h2>
<p>A woolwork picture of a ship &#8211; usually a sailing ship &#8211; is affectionately called a woolie. If it depicts anything else &#8211; a house, dog, flower &#8211; it is a woolwork picture. Woolies were the creation of British sailors who got caught up in the embroidery fad that infatuated their wives and daughters in the mid-to late-Victorian era. </p>
<p>The woolwork fad (also called Berlin work for the city where it began) and the era of woolies roughly corresponded &#8211; 1830 to 1880. The demise of the fad at sea came with the rise of photography and the shift from wind power to steam. Some retired sailors continued their woolwork on land and they may be responsible for some of the era&#8217;s 3&#8242; wide examples. Woolies from as late as 1920, possibly created by retired sailors, were not meant to deceive and are generally not considered fakes. </p>
<p>The thread used by British sailors was most likely wool brought from home. The canvas used as a ground was probably sail remnants. Some woolies were embroidered with silk thread, possibly purchased at port. </p>
<p>So called &#8220;American woolies&#8221; usually command a premium at auction because they are so rare. These woolies are American only because they depict an American ship with American flags or an American scene. Current thinking is that the embroiderers were British sailors who worked for American companies from 1870 to 1890. </p>
<p>Higher prices are also correlated with details such as the ship&#8217;s name, date, recognizable locations, battles, multiple ships, multiple flags, people in the scene, puffy clouds, beads and crystals. </p>
<p>At auction even elaborate woolies sell for less than $2,000, a fraction of the retail market. The auction record for a woolie was set in 2005. That woolie depicting an American ship near a lighthouse brought $71,920. </p>
<p>Fake woolies from the 1950&#8242;s up to the present day have been found. Many have a cotton, not canvas, backing with unfaded thread on the front and back of the piece. The ships selected for fakes are highly decorative, appealing and dramatic. Unlike real woolies, fakes are frequently signed. </p>
<p><I>Reference note by p4A.com Contributing Editor Pete Prunkl.</I></p>
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		<title>Gilpin, William A. &#8211; Scrimshaw Artist</title>
		<link>http://www.internetantiquegazette.com/nautical/2500_gilpin_william_a_scrimshaw_artist/</link>
		<comments>http://www.internetantiquegazette.com/nautical/2500_gilpin_william_a_scrimshaw_artist/#comments</comments>
		<pubDate>Thu, 12 May 2011 13:51:16 +0000</pubDate>
		<dc:creator>hcst</dc:creator>
				<category><![CDATA[nautical]]></category>
		<category><![CDATA[sailor craftwork]]></category>
		<category><![CDATA[scrimshaw]]></category>
		<category><![CDATA[whaling related]]></category>

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		<description><![CDATA[William A. Gilpin <p>William Gilpin and the Jack Tar tooth were discussed in the December 2008 issue of the Maine Antique Digest by Stuart Frank, senior curator at the New Bedford Whaling Museum. He called the Ceres tooth with the figure of Jack Tar not only one of the best and most important works of scrimshaw to have emerged in a decade, but also a key to the identity of an entire highly regarded [...] <b>Click <a href="http://www.internetantiquegazette.com/nautical/2500_gilpin_william_a_scrimshaw_artist/">here</a> to continue reading.</b>]]></description>
			<content:encoded><![CDATA[<h2>William A. Gilpin</h2>
<p>William Gilpin and the Jack Tar tooth were discussed in the December 2008 issue of the <i>Maine Antique Digest</i> by Stuart Frank, senior curator at the New Bedford Whaling Museum. He called the <i>Ceres</i> tooth with the figure of Jack Tar not only one of the best and most important works of scrimshaw to have emerged in a decade, but also a key to the identity of an entire highly regarded scrimshaw opus that has been puzzling scholars and collectors for more than 35 year. Frank calls Gilpin the most accomplished of four scrimshaw artists who have been identified as schimshanders aboard the <i>Ceres</i> during a whaling voyage out of Wilmington, Delaware, May 1834 to October 1837.</p>
<p>There are 19 known works by Gilpin, 18 whale&#8217;s teeth and a corset busk made from panbone. Twelve teeth are engraved on one side only and six on both sides. Two are pairs; the others might be halves of pairs. The Jack Tar motif appears on seven teeth. According to Frank, the &#8220;brilliantly conceived and beautifully executed&#8221; design was transferred from a printed source by the pinprick method, the dots connected with a knife, and the engraving blackened with lampblack.</p>
<p>William Aratus Gilpin was born in 1805 in Wilmington, Delaware. He was 29 when he sailed on the <i>Ceres</i>. Only two of his voyages are known for sure, but he may have taken more. He married, had a daughter, Anna Elizabeth, who married Charles Sparks in 1869, and some of his possessions descended in that family.</p>
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