Collection of Florence P. and William W. Griffin
Bill and Florence Griffin met at an Atlanta Bird Club meeting in 1945. Bill was a published amateur ornithologist; Florence was interested in all of nature – she knew the names of all the plants as well as the birds.
Both were from Georgia, and soon began to see their state changing before their eyes as the New South swept away the Old. They quickly became [...] Click here to continue reading.
Old Master Print Collection of Johann Petz (Germany, 1818-1880)
Johann Petz was born at Lermoos, Tyrol, in 1818 and showed an early interest in wood carving and drawing. Petz worked as a shepherd for his family as a boy, but fled as a young man to a distant relative in Wildermiemingen to pursue the study of sculpture and drawing, which he did for three and a half years. In 1837, he decided to further [...] Click here to continue reading.
Stanford White (1853-1906)
Stanford White (November 9, 1853 â€“ June 25, 1906) was in his day best known for his Beaux-Arts work with the architectural firm of McKim, Mead & White, in which he was a partner, work which typifies what is thought of as the American Renaissance of art and design.
Whiteâ€™s family had no money, but were still well connected in the art world of New York in the 19th century, and [...] Click here to continue reading.
S.H. McElswain founded a framing company in 1871 in Evanston, Illinois, but the name by which it is known to collectors today comes from a partnership that began twelve years later in 1883, with McElswainâ€™s bookkeepers Charles Macklin and John C. Newcomb, who formed a partnership in order to assume command of the business.
The company, which would have enough success to support showrooms in Chicago and New York as well [...] Click here to continue reading.
Just about any culture with paper has a form of paper-cutting decoration, but establishing much of the history is tricky because of the fragile, ephemeral nature of paper. Still, we know that China and Japan were practicing paper-cutting very early, and the usage depends on the culture. In Japan, paper-cutting was used to create decorations for the home, while in Jewish and Eastern European cultures, the cuttings often had a religious theme. The [...] Click here to continue reading.
In the 1810s, a group of German religious separatists left Wurttemberg in what is now southwestern Germany, after several decades of separation from the primary church in the region, the Lutheran Church. After years of persecution and oppression which included imprisonment and property seizures, the separatists, under the leadership of Joseph Bimeler (sometimes Baumeler), decided to flee to the United States in the hopes that they could establish a new community there.
One [...] Click here to continue reading.
Zao Wou-Ki (French/Chinese, 1921 to 1913)
Zao Wou-ki occupies a pivotal role in the artistic dialogue between East and West. A seminal figure in 20th century art, Zao studied with Lin Fengmian at the National Academy of Arts in Hangzhou in the 1940s before moving to Paris in 1947. Zao has since called France his home, and his influential career developed in that dynamic, cosmopolitan environment. Paris was still the capital of world culture [...] Click here to continue reading.
Clementine Hunter (1887 to 1988)
Clementine Hunter (pronounced Clementeen) was born to Creole parents, Antoinette Adams and Janvier Reuben, in late December of 1886 or early January of 1887 at Hidden Hill Plantation near Cloutierville, Louisiana. Hunter would never learn to read or write, later saying she only had about ten days of schooling, and was put to work in the fields when she was very young. At 15, she left Hidden Hill, which [...] Click here to continue reading.
Lenticular means, “1. shaped like a biconvex lens; 2. of or relating to a lens; 3. convex on both sides; lentil-shaped.”
In the world of collectibles, “lenticular” usually refers to a type of printing that creates a three-dimensional image through the use of a lenticular lens. The resulting images reveal changes in depth or motion as the viewing angle changes. (“Lenticular” doesn’t refer, despite the frequent use, necessarily to the image, but to [...] Click here to continue reading.
Accurately rendering a panoramic view has long challenged, obsessed and inspired artists. The trend seems to have sprung up in the 17th century, with works that served both as slightly more helpful, more detailed maps with various public or important buildings marked, but also as advertisements for towns and cities. Matthaeus Merian, a Swiss engraver who spent most of his career in Frankfurt, where he also ran a publishing house passed to [...] Click here to continue reading.